PRESS QUOTES

Höchst unterschiedliche Kunstwelten begegnen und ergänzen sich in wunderbarer Weise: an einer Wand ein Spiegelobjekt von Anish Kapoor, dann wieder kleinformatige Fotos von Nobuyoshi Araki. Eine bizarre Skulptur von Zeng Fanzhi schafft einen Kontrast zu den strengen Khmer-Figurinen, zwei goldene Bananen von James Lee Byars wiederum führen einen harmonischen Dialog mit einem Steinbett aus dem kaiserlichen Palast.

JUNE 2016

One of the more distinctive attractions of Berlin.

SEPTEMBER 2017

The mood is serene, uncluttered timelessness.

NOVEMBER 2016

The experience is intended to be an emotional one.

OCTOBER 2017

No hay nada parecido.

OCTOBER 2018

The Feuerle Collection offre une expé- rience unique. (…) Les corps des divinités dénu- dées dialoguent avec les photos érotiques d’Araki ou avec l’installation d’Anish Kapoor. (…) A la sortie, la lumière du jour fait presque violence.

NOVEMBER 2019

Una delle collezioni di arte asiatica più raffinate d’Europa. Che insieme ai capolavori dell’arte contemporanea (opere di Iglesias, di Fuss o Kapoor, per citarne alcuni) fa di questo edificio uno dei luoghi più originali e interessanti di Berlino.

JULY 2016

A rarity in the art world.

MARCH 2018

A vast concrete bunker hides one of the world’s most captivating and innovative art experiences.

MAY 2019

Invece che sui gesti grandiosi, l’accento del lavoro è caduto sulla raffinata calibratura delle soglie chiave, sulla narrazione spaziale dei percorsi di attraversamento e separazione, sulla qualità della luce e su particolari incontri sensoriali sommessamente sottolineati: nella Lake Room invasa dall’acqua e nello spazio chiuso dedicato al millenario rituale imperiale dell’incenso.

JULY-AUGUST 2016

The chicane at the entrance that once acted as a bomb shield is now a passage leading to a unique experience. Starting from the basement, one enters the Sound Room to a background of minimalist tones and silences created by American composer John Cage. Until you enter the vast main exhibition room there is no natural light and the place is left in near darkness, forcing you to readjust all your senses to negotiate the space. Your eyes are then attracted to the ingeniously curated spotlights and centuries-old stone and wood sculptures from the Khmer Empire that seem to appear from nowhere.

MAY 2016

古代美術と現代アートが並列して完璧なほどに美しく配置され、時代と文化を超えた作品同士の対話を生み出しています。(…)コントロールされたライティングと、巧みな動線の設定、視線の誘導によって、それぞれの作品の前に立ち、鑑賞しながら移動を続けると、時代から時代、国から国へとタイムトラベラーになったような気持ちになります。(…)時代に色を感じる共感覚体験も生まれ、作品に対する新たな視線が生まれました。

JANUARY 2017

One of the world’s most unusual museums. In the hand of this master of illumination.

MARCH 2018

Rich historical layering, with sensitive hanging and placement decisions inviting unusual comparisons between different forms and eras.

APRIL 2016

福尔睿优雅感性的收藏与碉堡本身的粗犷所产生的戏剧化对比，连上千年的古董看起来都产生现代感。

MAY 2016

Head of Avalokiteshvara, Khmer, Bayon, 12-13^thC, stone