{"id":319,"date":"2020-03-12T13:15:32","date_gmt":"2020-03-12T11:15:32","guid":{"rendered":"https:\/\/fc.imagox.com\/?page_id=319"},"modified":"2026-01-07T17:47:19","modified_gmt":"2026-01-07T15:47:19","slug":"press-articles","status":"publish","type":"page","link":"https:\/\/www.thefeuerlecollection.org\/en\/press-articles\/","title":{"rendered":"PRESS ARTICLES"},"content":{"rendered":"
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<\/div>[vc_custom_heading text=”PRESS ARTICLES” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”]
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ON SILENCE AND THE SOUL OF THE ART<\/p>\n

UNA MEISTERE[\/vc_column_text]

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Art Territory<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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SARA PUIG Y RAMON AGENJO REIVINDICAN UNA CIUDAD “VIVA” EN EL BARCELON\u00cd Y BARCELONINA DE L’ANY<\/p>\n

CL\u00c0UDIA MAS[\/vc_column_text]

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El Peri\u00f3dico<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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SARA PUIG, PRESIDENTA DE LA FUNDACI\u00d3 JOAN MIR\u00d3: UNA VISI\u00d3N MUY LOCAL Y MUY GLOBAL PARA UNA INSTITUCI\u00d3N CINCUENTENARIA<\/p>\n

RAM\u00d3N VENDRELL[\/vc_column_text]

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El Peri\u00f3dico<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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DEEP IMPACT UNDERGROUND BUNKERS AND ABANDONED BUILDING HOST THE GERMAN CAPITAL’S MOST UNLIKELY ARTS ADVENTURES impact<\/p>\n

UTE JUNKER[\/vc_column_text]

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The Australian Financial Times<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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THE FEUERLE COLLECTION, BERLIN, GERMANY<\/p>\n

KATRINA ISRAEL[\/vc_column_text]

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The Australian WISH Magazine<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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\u8a18\u61b6\u306f\u7d42\u308f\u3089\u306a\u3044\u2014\u2014\u6226\u5f8c80\u5e74\u3001\u6b27\u5dde\u7f8e\u8853\u9928\u304c\u30a2\u30fc\u30c8\u3067\u7d21\u3050\u6226\u4e89\u306e\u907a\u7523<\/p>\n

WAKANA KAITANI[\/vc_column_text]

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art NIKKEI<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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“WIE STEHEN DIE PLANETEN ZUR BERLIN ART WEEK, ALEXANDER GRAF VON SCHLIEFFEN?”<\/p>\n[\/vc_column_text]

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BERLIN ART WEEK<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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EEN MUSEALE BELEVENIS<\/p>\n

DIRK VAN BABYLON[\/vc_column_text]

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DIRK VAN BABYLON<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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QUESTIONS TO ALEXANDER GRAF VON SCHLIEFFEN<\/p>\n[\/vc_column_text]

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BERLIN ART WEEK<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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TWO PRIVATE ART COLLECTIONS TO DISCOVER IN BERLIN<\/p>\n

PAOLO FERRARINI[\/vc_column_text]

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COOL HUNTING<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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MUSEUM F\u00dcR DIE SINNE<\/p>\n[\/vc_column_text]

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ELLE SPIRIT<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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DE STILTE VAN BETON, EEN MIJMERING IN THE FEUERLE COLLECTION<\/p>\n

YVES JORIS[\/vc_column_text]

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Kunst Flaneur<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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East East<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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GERMANY SHUT DOWN THOUSANDS OF AIR-RAIDS SHELTERS. IT NEEDS NEW ONES FAST.<\/p>\n

BERTRAIND BENOIT[\/vc_column_text]

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Artron<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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<\/div>[vc_column_text css=”” el_class=”fc-article-title”]’PAINTING’ AND ASTROLOGY \u2013 EP. 2 ‘ DI ALEXANDER GRAF VON SCHLIEFFEN ALLA FEUERLE COLLECTION DI BERLINO[\/vc_column_text]
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hestetika<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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by: Manuela De Leonardis[\/vc_column_text]

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il manifesto<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″]
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