{"id":9433,"date":"2020-04-09T16:38:21","date_gmt":"2020-04-09T14:38:21","guid":{"rendered":"https:\/\/fc.imagox.com\/?page_id=9433"},"modified":"2022-11-01T17:16:27","modified_gmt":"2022-11-01T15:16:27","slug":"pressespiegel","status":"publish","type":"page","link":"https:\/\/www.thefeuerlecollection.org\/de\/pressespiegel\/","title":{"rendered":"PRESSESPIEGEL"},"content":{"rendered":"
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SOUTHEAST ASIAN ART BUNKERS<\/p>\n[\/vc_column_text]

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THE FEUERLE COLLECTION<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text]

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POR QU\u00c9 MIR\u00d3 LLEVABA SIEMPRE UNA ALGARROBA EN EL BOLSILLO: HABLA SARA PUIG, PRESIDENTA DE LA FUNDACI\u00d3N<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text]

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EL ESPA\u00d1OL<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=“1\/3″]
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PRIVATE MUSEUMS IN TWENTY-FIRST CENTURY EUROPE
\nby\u00a0Dr. Laurie Kalb Cosmo<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text]

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UNIVERSITEIT LEIDEN<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=“1\/3″]
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WHY D\u00c9SIR\u00c9 FEUERLE DISPLAYS HIS ART IN A BERLIN BUNKER<\/p>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text]

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VIAJE AL MUSEO ‚GOURMET‘<\/p>\n[\/vc_column_text]

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GOING UNDERGROUND<\/p>\n[\/vc_column_text]

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ZEN-MEISTER DER KUNST<\/p>\n[\/vc_column_text]

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BERLIN, TRENTE ANS DE R\u00c9FLEXION<\/p>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text]

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MEDITIEREN IM BUNKER DER KUNST<\/p>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text]

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\ubca0\ub97c\ub9b0 \uc5ed\uc0ac\uc640 \uc911\uad6d \uc608\uc220\uc758 \ub9cc\ub0a8<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text]

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READ MORE \u00a0><\/a><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

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